Reviewing Out on a Limb in the Saturday Review, Grace Frank quipped that Louise Baker could have easily called her book “The Leg and I,” in imitation of Betty Macdonald’s best-seller of the same period. The two books certainly share the same comic outlook, with every character an eccentric and every episode retold with tongue in cheek. While still a girl, Louise Baker was struck down by a passing automobile and had to have her right leg amputated. “When I regained consciousness ten days later in a white hospital bed, with the blankets propped over me like a canopy, I had one foot in the grave.”
Such are the sort of puns with which Baker fills her book. Baker’s parents insisted that she make every effort to get along with her bi-pedal friends, and she soon developed a spirit of independence that led her, in the course of time, to learn to ski, skate, and play tennis (she was encouraged to write the book to provide inspiration to the many disabled veterans just returned from World War Two). She preferred using crutches to wearing an artificial leg, and accumulated a considerable “crutch wardrobe”: “Crutches don’t come in gay colors but any good enamel works the enhancing transformation. I am now just as likely to complain, ‘I haven’t got a crutch I’d wear to a dog fight,’ as I am to say, ‘I haven’t got a decent dress to my name.'”
Baker also wrote a comic novel, Party Line, about the 43-year career of switchboard operator Elmira Johnson in the small town of Mayfield, California, and a humorous account of her time working in a boy’s boarding school in Arizona, Snips and Snails, which was made into a gawdawful movie, Her Twelve Men (1954).